I used mostly my ears

a blog about music by Marc Haegeman

Swan Lake in Bergen, Norway

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Piotr Ilyitch Tchaikovsky: Swan Lake, Op. 20, Complete Ballet
James Ehnes, violin
Bergen Philharmonic Orchestra/Neeme Järvi
Chandos SACD CHSA5124(2) 81:17 & 73:24

Swan Lake

Swan Lake

Once upon a time, ballet music used to be the territory of specialists. Musicians groomed in the theatre or with a special flair for drama gave ample proof that ballet scores didn’t have to remain limited to stage performances. Conductors like Ernest Ansermet, Pierre Monteux, Anatole Fistoulari, Antal Dorati, Evgeny Svetlanov, Gennady Rozhdestvensky, among others, brought elegant and vivid accounts of the great ballet scores by Tchaikovsky, Delibes, Prokofiev and Stravinsky which have stood the test of time. The appeal of these recordings didn’t stem from this often supposed suitability as dance accompaniment. Rather it was a profound understanding of the mechanics of these particular scores, reviving the particular spirit of each ballet on disc just like any seasoned opera conductor naturally would do, which secured them a place among the great orchestral works. Nowadays, however, when several ballet scores have been widely accepted as “serious” music, everybody seems ready to take a swing at them. And the results are variable.
Read the full review on Classical Net

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