Charles Gounod: Walpurgisnacht Ballet
Maurice Ravel: Sonatine, La Valse
Georges Bizet: Symphony in C
New York City Ballet
Choreography by George Balanchine
Orchestre Prométhée/Daniel Capps
Recorded in Théâtre du Châtelet, Paris, July 2016
BelAir Classiques BAC 439, 1080i Full-HD, PCM 2.0 / DTS-HD Master Audio 5.1, 106 mins
What a superb idea it was, then, to film the company while on tour in Paris in the summer of 2016, performing a selection of its traditional repertory. The choice was, I assume, readily made. The connection between Balanchine and the French capital is legendary. All four ballets assembled here are set to French music and both Walpurgisnacht and Symphony in C were even created for the Paris Opera. Often with nothing but light as setting and very simple costuming (except La Valse with its hints of a ballroom and slightly decadent gowns), and utterly delightful music (Gounod, Bizet and Ravel) to boast, this program is a continuous joy and may serve as an antidote against those trying to reduce dance to darkness, violence and angst. In these troubled times a shot of Balanchine is by all means a very welcome night out. By their intelligence, musicality, sense of harmony and purity of intent, his ballets are beacons of light and hope, and by their perennial modernity, continuing sources of delight and inspiration.
Try the lovely Sonatine from 1975 on a rainy day: just two dancers and a pianist on stage, yet it all is brought with effortless dignity, simple charm, and sunlit grace by Megan Fairchild and Joaquin De Luz. In no time you will feel better. This is also a disc to admire the New York City Ballet dancers of today. Like the wonderful Sara Mearns in the romantically wild and theatrical Walpurgisnacht Ballet. Or Sterling Hyltin and Amar Ramasar both superb in La Valse (combining Ravel’s Valses nobles et sentimentales with La Valse proper), offering dramatic contrast. Finally, the irresistible Symphony in C, originally made as Palais de Cristal for the Paris Opera Ballet in 1947, a magnificent showcase for the company’s health and strength. Soloists and ensemble appear in tremendous form and if this performance is in any way representative of the current state of New York City Ballet, then the company is doing really well indeed.
With François Duplat and Vincent Bataillon as the producer-director team, well known from the successful “Bolshoi Ballet HD Collection” distributed by BelAir Classiques, we are in good hands too. They know their trade and have given us some of the best filmed ballet performance videos in recent times. “New York City Ballet in Paris” is no exception. The camerawork and editing is in effect pretty simple and straightforward, but you always see what you need to see in a ballet.
This video comes without any bonus features, but here is the dance speaking for itself as only Balanchine could master it, and it deserves a place in any serious ballet video collection. New York City Ballet brought several programs on its extensive 2016 Paris tour. May we hope for some more goodies, and not only the historical repertory but also new creations, from the treasure chest?
© 2017 Marc Haegeman. All rights reserved