I used mostly my ears

a blog about music by Marc Haegeman


Leave a comment

Alice Sara Ott and Edo de Waart bring magnificent Mozart and Dvořák to Antwerp

Wolfgang Amadeus Mozart: Piano Concerto No. 13 in C Major, KV 415 (KV 387b)
Antonin Dvořák: Symphony No. 9 in E Minor, Op. 95, “From the New World”

Alica Sara Ott, piano
Antwerp Symphony Orchestra, Edo de Waart
Antwerp, Elisabeth Center, 19 May 2018

The Antwerp Symphony Orchestra (ASO, formerly known as the deFilharmonie or the Royal Flemish Philharmonic) is a superb formation, one of the finest in the country. The quality of this ensemble was undeniable in an utterly delightful Mozart and Dvořák matinee concert in Antwerp’s Queen Elisabeth Hall under the ASO’s Conductor Laureate, Dutch maestro Edo de Waart. The presence of Alice Sara Ott as soloist was icing on the cake.

Read the full review on Bachtrack


Leave a comment

Leipzig Gewandhaus dazzles but fail to move in Brussels

Thomas Larcher: Chiasma
Wolfgang Amadeus Mozart: Symphony No. 40 in G Minor, KV 550
Pyotr Ilyitch Tchaikovsky: Symphony No. 6 in B Minor, Op. 74 “Pathétique”

Leipzig Gewandhaus Orchestra, Andris Nelsons
Brussels, Centre for Fine Arts, 29 April 2018

Mozart’s Symphony No. 40 in G Minor and Tchaikovsky’s “Pathétique” form quite a formidable pairing in concert. Emotional music that packages beauty with nostalgia and sadness, yet expressed in such an individual manner that performing the symphonies back to back proves extra challenging. In Brussels, on his maiden tour as Kapellmeister of the Leipzig Gewandhaus Orchestra, Andris Nelsons faced that challenge with brilliant and often spectacular readings, which were dazzling rather than moving.

Read the full review on Bachtrack