I used mostly my ears

a blog about music by Marc Haegeman


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A manifesto against war: Dubugnon première impresses in Brussels, but Beethoven disappoints

Ludwig van Beethoven: Symphony No. 1 in C Major, Op. 21
Richard Dubugnon: Le Tombeau de Napoléon
Ludwig van Beethoven: Symphony No. 3 in E-flat Major, Op. 55 “Eroica”

Jan Smets, trombone
Orchestre Symphonique de la Monnaie, Alain Altinoglu
Brussels, Centre for Fine Arts, 25 November 2018

Part of an ongoing cycle of Beethoven symphonies from the Symphony Orchestra of La Monnaie under their music director Alain Altinoglu, this concert offset Nos. 1 and 3 with a world premiere by the Swiss composer Richard Dubugnon, called Tombeau de Napoléon. The spirit of the French emperor was, in effect, hovering over much of the proceedings, not only as a direct inspiration for two of the works but, in a less flattering sense, also in the martial approach of some of the music-making.

Read the full review on Bachtrack.


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Devastating and dark Pathétique from Gergiev and the Mariinsky on tour in Brussels

Nikolai Rimsky-Korsakov: The Tale of Tsar Saltan, Suite, Op. 57
Igor Stravinsky: Symphony in C
Pyotr Ilyich Tchaikovsky: Symphony no. 6 in B Minor, Op. 74 “Pathétique”
Mariinsky Orchestra, Valery Gergiev
Brussels, Centre for Fine Arts, 18 November 2018

Valery Gergiev and his Mariinsky forces have been frequent guests in Brussels over the last 25 years: quite an extraordinary feat in itself, if you think about it. Several visits were memorable events, yet this all-Russian programme ranks as one of the finest I heard them perform in a long time and easily tops my list of favourite concerts this year. An absolutely thrilling journey with privileged guides, encompassing the mysterious fantasy world of Rimsky-Korsakov, Stravinsky’s neoclassical outings as well as Tchaikovsky’s crushing emotional outpourings. Familiar repertoire it may be, but it emerged here with astonishing freshness and impact, reconfirming that old cliché that it takes Russians to play their own music.

Read the full review on Bachtrack.