I used mostly my ears

a blog about music by Marc Haegeman


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Mischa Maisky shines in Tchaikovsky in Brussels

Hans Werner Henze: Der Erlkönig, orchestra fantasy
Pyotr Ilyich Tchaikovsky: Variations on a Rococo Theme in A major, Op. 33
Franz Liszt: A Faust Symphony, S 108

Mischa Maisky, cello
Hugh Wolff, Belgian National Orchestra
Brussels, Centre for Fine Arts, 22 March 2019

Like the Brussels Philharmonic, Belgium’s national band has Anglicised its name into Belgian National Orchestra (BNO), thereby putting the confusing Dutch/French labelling happily to rest. But the real good news is that, at least judging from this concert, the BNO has become a more attractive formation, more polished, focused and committed than I can remember them. Led by their current music director, Hugh Wolff, they made a fine impression in a demanding programme which included Liszt’s Faust Symphony and a stellar performance of Tchaikovsky’s Variations on a rococo theme by Mischa Maisky.

Read the full review on Bachtrack.


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Luminous Beethoven and impetuous Connesson in Bruges

Guillaume Connesson: Flammenschrift
Ludwig van Beethoven: Violin Concerto in D Major, Op. 61
Sergei Prokofiev: Romeo and Juliet, excerpts

Nikolaj Szeps-Znaider, violin
Brussels Philharmonic, Stéphane Denève
Bruges, Concertgebouw, 1 March 2019

The success story of the Brussels Philharmonic is one of the miracles of the Belgian classical music scene. Under conductors Michel Tabachnik and, since 2015/16, Stéphane Denève the stuffy, bureaucratic Flemish radio band from yesteryear happily morphed into a vibrant, independent formation of international fame and acclaim. This concert led by Denève with music by Connesson, Beethoven and Prokofiev duly demonstrated its strengths, as well as some limitations. A luminous performance of the Beethoven Violin Concerto in D major by Nikolaj Szeps-Znaider considerably added to its attraction.

Read the full review on Bachtrack.