I used mostly my ears

a blog about music by Marc Haegeman


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Natalia Osipova in Giselle

Adolphe Adam: Giselle
Natalia Osipova – Giselle
Carlos Acosta – Count Albrecht
Thomas Whitehead – Hilarion
Johannes Stepanek – Wilfred
Christopher Saunders – The Duke of Courland
Christina Arestis – Bathilde
Hikaru Kobayashi – Myrthe
Elizabeth Harrod – Moyna
Akane Takada – Zulme
Artists of the Royal Ballet
Orchestra of the Royal Opera House/Boris Gruzin
Music revised by Joseph Horovitz
Choreography by Marius Petipa after Jean Coralli & Jules Perrot
Production & additional choreography by Peter Wright
Opus Arte Blu-ray OABD7151D 113m (+features 10m) LPCM DTS-HD Master Audio

Giselle - Royal Ballet

Giselle – Royal Ballet

This is the second video release of the famous Romantic classic Giselle by the Royal Ballet in less than ten years time. Not that you will hear anybody complain as this new Opus Arte disc features Natalia Osipova in the title role, and her performance is just as treasurable as the earlier one of Alina Cojocaru. Russian Osipova is one of the most significant dancers to emerge in the last decade. She started her career at Moscow’s Bolshoi Ballet and is now firmly established in the international dance circuit. She took many by surprise when she decided to join London’s Royal Ballet in 2013.
Read the full review on Classical Net


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Don Quixote in Royal Ballet style

Ludwig Minkus: Don Quixote
Marianela Núñez – Kitri
Carlos Acosta – Basilio
Christopher Saunders – Don Quixote
Philip Mosley – Sancho Panza
Ryoichi Hirano – Espada
Melissa Hamilton – The Queen of the Dryads
The Royal Ballet
Orchestra of the Royal Opera House/Martin Yates
Production & choreography by Carlos Acosta
Opus Arte Blu-ray OABD7143D 125m (+12m features) LPCM Stereo DTS-HD Master Audio

Don Quixote - The Royal Ballet

Don Quixote – The Royal Ballet

The classic ballet Don Quixote, created in 1869 for the Bolshoi in Moscow by Marius Petipa and with music by Ludwig Minkus (Léon Fyodorovich Minkus), has always been the merry playground of choreographers, musicians and arrangers of all sorts. It is danced to this day in its most convincing form by the great Russian companies whose time-honored dedication and savoir-faire has resulted in a complete understanding of the ballet’s style and temperament. A 19th-century extravaganza, loosely based on Cervantes, which is now primarily an irresistible feel-good cocktail of sunny locations, some slapstick comedy and of course loads of supreme classical and character dancing.
Read the full review on Classical Net