I used mostly my ears

a blog about music by Marc Haegeman


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Thrilling Beethoven and Mahler from Salonen and the Philharmonia Orchestra in Antwerp

Ludwig van Beethoven: Symphony No. 2 in D Major, Op. 36
Gustav Mahler: Symphony No. 1 in D Major “Titan”

Philharmonia Orchestra, Esa-Pekka Salonen
Elisabeth Center, Antwerp, 18 April 2018

In Antwerp, Esa-Pekka Salonen and the Philharmonia Orchestra offered a symphonic feast, with insightful and thrilling readings of Beethoven’s Second and Mahler’s First. In effect, it was not unlike visiting old friends who suddenly appeared younger, more vibrant and congenial than you remembered them. Conductor and orchestra demonstrated once again that, in the right hands, familiar repertory can still prove compelling and even surprising. In other words, they possess the formula for bringing a great concert.

Read the full review on Bachtrack


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Inspired Programming from Salonen and the Philharmonia

Jean Sibelius: Symphonic Fantasy “Pohjola’s Daughter”
Esa-Pekka Salonen: Violin Concerto
Ludwig van Beethoven: Symphony #7

Leila Josefowicz, violin
Philharmonia Orchestra/Esa-Pekka Salonen
Brussels, Center for Fine Arts, March 6, 2012

As part of the European Galas series hosted by the Center for Fine Arts in Brussels and the Flanders Festival, the Philharmonia Orchestra of London under its current music director Esa-Pekka Salonen brought a remarkable evening, covering no less than two centuries of music. Starting with Jean Sibelius’ rarely heard Pohjola’s Daughter from 1906, they fast-forwarded us to 2009 with Salonen’s own Violin Concerto, before bringing us back to 1813 with the Beethoven Seventh. And although these compositions might as well have originated on different planets, rhythmic drive is a prominent feature in all three. By juxtaposing Beethoven with contemporary music, Salonen replicates his “Beethoven Unbound” project from 2005/06 with the Los Angeles Philharmonic. Inspired concert programming like this is all too rarely found, and it’s still most welcome.
Read the full review on Classical Net