I used mostly my ears

a blog about music by Marc Haegeman


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Gallic finesse and Georgian fire

César Franck: Sonata for Violin & Piano in A Major
Edvard Grieg: Sonata for Violin & Piano #3 in C minor, Op. 45
Antonín Dvořák: Four Romantic Pieces, Op. 75b

Renaud Capuçon, violin
Khatia Buniatishvili, piano
Erato 08256-462501 DDD 66:20

Renaud Capuçon and Khatia Buniatishvili

Renaud Capuçon and Khatia Buniatishvili play romantic chamber music

French violinist Renaud Capuçon and Georgian pianist Khatia Buniatishvili have been frequent partners in chamber music concerts. Their complementing temperaments – Gallic finesse and Georgian fire – have proven an exhilarating blend, while the charisma and winning stage presence of these brilliantly talented young artists evidently add to the fascination. In their debut disc as a duo for the resurrected Erato label they team up for an attractive program containing three romantic chamber music pieces of various origin, remarkably all written within the same time span 1886-1887.
Read the full review on Classical Net


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She came, she played, and she conquered

Franz Liszt: Piano Sonata in B minor
Frédéric Chopin: Ballade #4, Piano Sonata #2
Serge Prokofieff: Piano Sonata #7

Khatia Buniatishvili, piano
Paris, Salle Pleyel, 19 November 2012

Since I first attended a solo recital by Khatia Buniatishvili in the smallish auditorium of the Cité de la Musique in Paris, hardly ten months ago, things have been going fast for the 25-year old Georgian pianist. Meanwhile she released her second solo CD (Sony 97129), media attention has soared, she was awarded the German “Echo Klassik” prize for most promising artist, and above all she has been touring extensively throughout Europe, and also recently San Francisco and Japan – either as soloist, with orchestras or as member of chamber music formations joining distinguished colleagues like Gidon Kremer, Truls Mørk and Renaud Capuçon. Buniatishvili had played Pleyel before in a concert with the Orchestre de Paris. But until now the big hurdle of a solo recital in the most prestigious concert venue in the French capital – which is currently her hometown – still needed to be taken. On 19 November it was taken, and how.
Read the full review on Classical Net